PODCAST: Screening Episode 50 - FURIOUS 7 Brings Flying Cars And Teary Eyes

 

I will admit it.  I totally shed a single tear at the end of Furious 7.

Is this the best entry in the unlikeliest of all blockbuster franchises?  No way.  Not by a long shot. Fast Five is still the best single film in the franchise in terms of quality storytelling and character work.  At the same time, Furious 6 is definitely the most entertaining movie overall, due mostly to a healthy dose of the The Rock playing an ally as opposed to an enemy.  Also, The Battle On The Infinite Runway at the end is the best action sequence of this or most any other franchise.  But what Furious 7 lacks in sharp storytelling or non-stop action, it makes up for with steady entertainment value and an emotionally devastating coda.

This franchise has been incredibly nimble, striving to redefine itself with each entry.  The latter half of the series has effortlessly transitioned from cops & robbers to a heist flick to a comic book story and now, with part seven, we are solidly in globe-trotting secret agent mode.  Amazingly, this feels like the franchise's destiny all along, particularly with the always great Kurt Russell playing the team's jovial yet badass handler.  The story feels a bit half-baked ("Let's give them a MacGuffin to chase and be done with it.") but each component of the story works fine on its own.  The entire mountain chase scene, featuring cars parachuting out of a cargo plane, is an absolute franchise all-timer.  Seriously, it's incredible.  But it happens pretty early on in the proceedings and none of the set pieces that follow ever really surpass that scene in terms of action or pure excitement.  Dom and Brian driving a rare and expensive sports car mid-air across three different skyscrapers in Abu Dhabi does come pretty close though.

I was really looking forward to Jason Statham stepping in and lending some real weight and menace to the villain role, something a lot of these movies tend to lack.  And while Statham's silent force-of-nature routine is pretty effective, it somehow pales in comparison to Luke Evans' turn as the younger Shaw brother, mostly because his impassive "Everyone is a cog in my machine" approach feels like a more direct counter point to Dominic Torretto and his fierce family loyalty.  Also, the revelation in the opening scene that Evans somehow managed to survive the last film really deflates Statham's need for vengeance.

But all of these issues (along with a Michelle Rodriguez subplot that falls flat and a significant squandering of Djimon Hounsou) feel totally minor and didn't really start to bother me until long after I'd left the theater.  For most of the film's running time I was having WAY too much fun to get bogged down by any of this stuff.  And by the final scene, I guarantee that you just won't care.  Credit must be paid to director James Wan (who brings his own visual flourishes without alienating the film from the rest of the series) and writer Chris Morgan for pulling off the impossible in the wake of Paul Walker's death.  It would appear that Walker had already finished filming the vast majority of his scenes before his passing and most of the body doubling/digital face-swapping absolutely works on screen.  That's not to say you don't notice it, but it still feels mostly organic to the story and the effects work is not so jarring as to grind the movie to a halt.  And that final scene...man that final scene.  It's just a killer.

We ended up taking an accidental two month hiatus from podcasting but the snow has melted and we're officially back in business. For our first episode after the break we've got a great five-person round table of returning guests, all of whom have varying levels of affection for the Fast & Furious franchise as a whole. Also, at different points we inadvertently confuse Jason Statham with Jason Segal and Eugene Levy with Elliott Gould. True story.

As always, make sure to subscribe on iTunes and/or SoundCloud!

Next week: Ex Machina!

The FURIOUS 7 Super Bowl Spot Is Preposterously Awesome

It's been two days since the Super Bowl and I'm still having some trouble believing that the Football Gods actually allowed my Patriots to win that game.  Whether you believe in all that Deflategate nonsense or not, I think we can all agree that the ratio of game-based excitement to ad-based entertainment was incredibly lopsided this year.  I think the best ad I saw the whole game was for avocados.

But we also got a crop of mini-trailers for big upcoming features, including Terminator, Pitch Perfect 2, Tomorrowland and Jurassic World.  But the only one of these worth really talking about is the spot for Furious 7.

What unholy deal did Vin Diesel make with Beelzebub which allows each of these movies to be better than the last one?    How is this possible?  Was Paul Walker collateral damage?  Somebody get the Vatican on this, STAT.

I don't even know where to begin.  The importance of family has become the prevailing theme of these movies, so I love seeing that same theme play out on the villain's side as well.  The Toretto house explosion is pretty baller, and I would have expected this to be the kind of thing used to write Walker out of the series but it looks like it happens right up front and sets the rest of the movie in motion.  The Rock saying "Daddy's gotta go to work" makes me happier than decorum should permit.  But that car jumping from building to building though...holy fuck.  That absolutely silenced my Super Bowl party.

My only disappointment with this (and all) trailers is not enough Kurt Russell.  Here's hoping I don't walk out of the movie with the same complaint.

On a related note, Amazon currently has EVERY Fast & Furious movie available for $10 or less per Blu-ray.  You can also get the whole thing as a box set for $50.  Happy early birthday to me!

Podcast Episode 25: The GUARDIANS OF THE GALAXY Are Here To Save The Summer

To quote a certain blaster-toting raccoon, "Oh...YEAH."

This summer has been pretty fucking grim.  With the exception of 22 Jump Street, it's been a a steady stream of mediocre box office filler like Hercules or outright trainwrecks like Transformers: Age Of Extinction.  That's not to say that the summer's been a complete waste, but even the few bright spots like Dawn Of The Planet Of The Apes, Snowpiercer and X-Men: Days Of Future Past have been largely dark and serious affairs - all three movies center around global apocalypse!  Where's the humor?  Where's the rollicking adventure?  WHERE'S THE GODDAMN FUN?

Turns out the fun lies with a sentient tree on the far side of the galaxy.

Marvel's Guardians Of The Galaxy, by far the company's biggest gamble to date, is an outright cinematic miracle.  On paper this, this movie simply should not exist.  Seriously, the very idea of a studio giving the Troma-raised James Gunn $170 million to make an outer space movie starring That Guy From Parks & Rec, a professional wrestler, a green-skinned assassin, a walking tree who only speaks three words and a smart-ass cyborg raccoon is absolutely preposterous.  The fact that it not only exists but has the same pound for pound entertainment value as The Avengers, a movie that needed five other films to set the stage before it could even happen, is mind boggling.

And yet, all these things are true.

Guardians Of The Galaxy finally sends the Marvel universe rocketing out into space and it's a fascinating place packed with oddball characters with whom you can't help but fall in love.  Sure, each character has their own particular set of quirks (Drax doesn't understand metaphors, Star-Lord is a font of 80's pop-culture references) that are essentially appealing on their own but it's the performances that truly elevate the material.  Chris Pratt cements himself as legit movie star (surely a relief to the Jurassic World producers) and Dave Bautista is an absolute joy on-screen, while Bradley Cooper brings a both acerbic wit and a wounded vulnerability to Rocket.  And for all the jokes about Vin Diesel playing a tree who only has one line, you'd be surprised just how much context and emotion can be conveyed solely in the phrase "I am Groot."  Special recognition should also be paid to Zoe Saldana and Karen Gillan as Gamora and Nebula, the daughters of Thanos.  Both characters are a tad clunky on the page, constantly tasked with delivering necessary exposition and explanation.  Yet each of these actresses just ooze so much charm and personality on screen that they're almost able to trick the audience into walking away thinking their characters are more substantial.  Still, they're each total badasses, and while their characters feel a bit thin I expect both will be much better served in their second outing.

This wonderfully endearing collection of misfits is what sets Guardians apart not just from the rest of 2014's summer movies, but all other Marvel movies as well.  The Avengers is probably the closest analog here, but even they are just a bunch of folks who fight together out of a sense of duty and honor.  They feel more like a group of friendly coworkers who do a job and then go home to their respective lives.  By the time the end credits roll, the Guardians are already so much more than that.  They're not just friends, they're family.  That's a dynamic that we haven't really seen in Marvel's previous films and it's so simple and affecting that I didn't even realize it was something I had been missing.

And that music!  THAT MUSIC!  Holy hell.  I really dig the score by Tyler Bates, particularly his main theme, but I defy you to walk out of this movie without humming any of the ridiculously catchy tunes that create the rich musical tapestry which seems happily omnipresent throughout the film's running time.  My only gripe is that Guardians didn't come out in June.  If it had, Peter Quill's Awesome Mix Volume 1 (available for download, naturally) would have absolutely been everyone's soundtrack of the summer.

Episode 25 of the podcast, featuring the return of my brother Tim, sees us breaking the film down character by character, along with lots of speculation as to how the Guardians might fit into Marvel's bigger picture heading into Phase 3.  Jamie reveals her own master plan for how Captain/Ms. Marvel should be woven into the MCU and, in light of Simon West's stated desire to see a space-based Con-Air 2, we all list off movies that deserve a crazy sequel set in outer space.  Also, I'm an idiot for not only saying there are five Infinity Stones (there are six) but also for referring to Yondu as Yondo through the entire podcast.  What can I say?  It was late and I still had to pack for an early flight.

Next Week: Teenage Mutant Ninja Turtles, with special guests!

Start Your Week Off Right With The New Trailer For GUARDIANS OF THE GALAXY

Captain America: The Winter Soldier kicked off the summer in grand style.  Now it looks almost certain that Guardians Of The Galaxy will serve as the appropriately kickass bookend and close the summer out with a goddamn bang.

Every look at James Gunn's entry into the Marvel Cinematic Universe looks even more preposterously fun than the one before it.  Seriously, I still can't believe that I live in a world where an outer space adventure movie starring Chris Pratt, a foul-mouthed raccoon and a walking tree-person voiced by Vin Diesel is allowed to exist, let alone be bankrolled by a major studio to the tune of $150 million.  And make no mistake, every single penny looks to be up on screen.  It feels like the entire movie takes place in one those richly detailed worlds that Guillermo del Toro leaves dangling in the margins of his movies, places like the Bone Slums of Pacific Rim or the Troll Market of Hellboy 2.  Are we really gonna get a planet shaped like a giant skull?  Fuck yeah.

I'm sure there are those out there who will complain that they still don't know what this movie is actually about.  Those people are dumb people.  If rocket boots, space prisons, John C. Reilly: Intergalactic Beat Cop and an upright raccoon with a giant laser gun hoisted up on his shoulder while scratching his crotch doesn't put your ass in the theater, you're barking up the wrong Groot.

As a bonus, here's a poster that should be hanging in dorm rooms all across the country this fall.  Don't let me down, college kids.

Podcast Episode 3: The Power Of Family Compels You In FURIOUS 6

"You don't turn your back on family."

I am firmly on record as a big fan of the Fast & Furious franchise, but it wasn't always that way.  2 Fast 2 Furious is a flat out terrible film, and while I really enjoyed Tokyo Drift, its utter lack of original cast members (not including a cameo by Vin Diesel in the closing seconds) seemed to indicate that this was a franchise destined for the direct-to-DVD rack.  But three years later Universal was able to bring both Diesel and Paul Walker back into the fold and suddenly we were off to the races once more.  And even more surprisingly, each movie was astoundingly better than the last.  Furious 6 hit theaters in May and I'm not ashamed to admit that it emerged as one of my favorite movies from a crowded and fairly disappointing summer.  Moreover, the promise that the franchise was finally going to swing back and close the bizarrely awesome time loop in its own chronology while also adding a couple of big names to the roster propelled my excitement through the roof.

The Saturday night after Thanksgiving, Jamie and I were out at a bar watching USC choke against longstanding rival UCLA.  When halftime rolled around, I took out my phone to see what else was going on in the world and discovered an avalanche of tweets indicating that Paul Walker had just died and in a car accident of all things.  I was surprised at how immediately affecting I found his sudden and abrupt passing.  Walker is hardly my favorite actor of all time and he was involved in some pretty crap films over the years, but he was also in Pleasantville and the criminally underappreciated Running Scared, so I couldn't help but be fond of the guy.  The fact that he was still in the midst of filming Fast & Furious 7 when he died only added an extra level of tragedy to an already somber affair.

Bart and I had been itching to lay down another podcast, and with Walker's death fresh in our minds and the recent video release of Furious 6 (with some proceeds going to Walker's Reach Out Worldwide charity), this felt like the right moment to finally get around to covering the film while also speculating on the potential cinematic and automotive fallout from Walker's death as well as contemplating the future for what has become one of our favorite active franchises.  We also dive into the Fast & Furious-adjacent news of Gal Gadot being cast as Wonder Woman and what's going on with the larger DC universe, as well as my particularly awkward screening of Blue Is The Warmest Color.  Plus you can hear my dog barking in the background!  This is our longest episode yet, but it's also starting to hone in on something closer to where I'd like these podcasts to end up.  At the very least I think we've definitely found our theme song, courtesy of The Visitor, but I'm still experimenting with some formatting stuff, so I'm open to suggestions.

Enjoy!

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Title: Furious 6
Director: Justin Lin
Starring: Vin Diesel, Paul Walker, Dwayne Johnson, Tyrese Gibson, Michelle Rodriguez, Jordana Brewster, Gina Carano, Ludacris, Gal Gadot, Sung Kang, Luke Evans
Year Of Release: 2013
Viewing Method: Theatrical - AMC Boston Common